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In Conversation with Dan Witz (Whitehot Magazine of Contemporary Art)

I’ve always enjoyed working in London. Next to NYC, it’s my favorite city for doing street art The light in both places is similar, a soft, post-industrial gloom that seems to suit the emotional temperature of my work. Also, when you get up close in London there’s a grit in the pores that’s exactly the same as New York’s. Since usually I’m using a NYC grate, my pieces transfer well, and feel like they belong. Continue reading

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