I’ve always enjoyed working in London. Next to NYC, it’s my favorite city for doing street art The light in both places is similar, a soft, post-industrial gloom that seems to suit the emotional temperature of my work. Also, when you get up close in London there’s a grit in the pores that’s exactly the same as New York’s. Since usually I’m using a NYC grate, my pieces transfer well, and feel like they belong.
Read my complete interview at Whitehot Magazine of Contemporary Art.
