As you might expect, Helfrect couldn’t cram every page – or even many characters – onto the stage for her adaptation. Still, Fiesta stays true to the spirit of Hemingway’s first novel. In particular, the language is economic and punchy, resulting in a compelling and enjoyable play that shouldn’t leave many ardent Hemingway fans hankering for more. Set design (Rachel Noel) is equally restrained yet effective with key elements of the story honed to accentuate the dialogue and decisions of the characters.
Read my complete post at the OneTravel blog.
